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1916 (2) 2016 (1) A Farewell to Arms (1) Akira Kurosawa (1) Alphaville (1) Annette Kuhn (1) apparatus theory (1) appareil (1) art (2) award (1) Belfast (1) Catherine Grant (1) CFP (3) cinema-going (1) cinemagoing (1) climate change (1) conference (4) conflict (1) crime drama (1) Culture Machine (1) David Lynch (1) DCU (1) diagram (1) Digital (1) drones (1) Easter Rising (1) english (2) Estudios Irlandeses (1) European cinema (3) feminism (3) festival (1) film consumption (1) Film Theory (1) food (1) gender (1) gothic (1) GradCam (1) Horror (1) Identity (1) Ireland (1) Irish Cinema (2) Irish media (1) Irish Studies (1) Irish television (2) ISSS (4) Japan (1) Japanese cinema (1) Jean-Louis Baudry (1) jobs (1) journal (5) Love/Hate (1) machine (1) map (1) memory studies (1) migration (1) museum (1) music (2) network (1) New Cinema History (1) open-access (1) Orange is the New Black (1) Oxford Brookes (1) painting (2) place (1) prison (1) psychoanalysis (1) radio (1) research (15) revolution (2) Rex Ingram (2) Ridley Scott (1) schedule (1) scholarship (1) screens (1) silent film (1) Sound (3) space (1) sport (1) Stanley Kubrick (1) Stardom (1) storyboard (1) studentship (1) supercut (1) television (1) Thomas Elsaesser (1) University of Ulster (1) Victor Burgin (2) Video Essay (2) weddings (1) women and media (1) women in cinema (1)

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Published by Irish Screen Studies, 2020.
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Irish Screen Studies is supported by the Irish Research Council's Postdoctoral Fellowship Programme.