- Brown, Geoff Narrative structures in the films of Claire Denis
- Chernick, Dave Stillness, distance and duration
- Culbertson, Shelley The Joker: Vampiric Rapist ; Death , Sex and Ultimate Power
- Fitzpatrick, Daniel Theory in Motion - The Video Essay in the Digital Age
- Frith, Paul Realism and the 'H' ban in Britain.
- Galt, Rosalind Perverse Allegories
- Hardiman, Neasa The Hurt Locker: Ambiguity and Enculturation
- Hurson, Brian The Blue Dahlia and post-war Los Angeles
- Johnston, Nessa The Celtic Tiger ‘Unplugged’
- Leahy, Eileen Approaches to Community Filmmaking in Fatima Mansions
- Mac Dubhghaill, Uinsionn Aisling san Áis
- MacLeod, Allison The Queer Negotiation through the Public House in Irish Cinema
- McCabe, Darragh Style and Substance: World Cinema and Israeli Documentary
- Mooney, Jennifer Performing Irishness in Vaudeville 1865-1906.
- Nevin, Barry Panoptical society in Jean Renoir's La Règle du jeu
- Nevin, Barry Panoptical society in Jean Renoir's La Règle du Jeu
- O' Brien, Gar The Uncertainty Principle
- O' Donnell, Niall Ghosts of the Depression: Warner Bros’ Horror Films.
- O' Meara, Jennifer Words as a Weapon
- O'Shea, Noel Society Through A Lens, Darkly
- Prieto Blanco, Patricia Gateways at Belfast Exposed and Northern Ireland Digital Film Archive
- Rampazzo, Giovanna Reconfiguring the Experience of Urban Space
- Rothwell, Jennie Isabel Coixet and sensual cinema.”
- Shumova, Alina The 'Unmotivated' hero in Post-Classical American Cinema
- Simpson, Craig The gendering of space in Gus van Sant’s Gerry
- Stevenson, Ashley Plot or Character